12 best movies from 2014 are Exceptional, sound, and not-so-exceptional film years can be found throughout the year. Only time will tell where 2014 falls on that continuum, but one thing is sure: it was the most significant year in film in a very long time. Our Film Woman of the Year directed the first MLK film. Both movies show that this was a big year for cinema. It has a decent chance of winning best movies from 2014. A fatal hit-and-run in Berlusconi-era Italy adds to the wreckage of corruption and self-serving selfishness. Just like Dallas, except with shorter hair due to the linked families’ moral decline. In this article, we will discuss the best movies from 2014.
Best movies from 2014
1: In the Company of Horses:
Icelandic equine love letter’s first scene is a hilarious, awkward, and downright embarrassing sequence. A diligent rider is caught in the saddle when a mare and neighbor’s stallion have “romantic” behavior. Much can be learned from the human participants and the range of equine and human friends with whom they share their lives in this research into an Icelandic rural horse-loving society.
2: American Hustle:
After dressing them up in pastel wigs and sequins for his most recent films, David O. Russell unleashed this true-crime drama with the best performers from his most recent flicks, proving the adage that reality is stranger than fiction. The film tells the story of con artists and crooked federal authorities who get caught up in one scam after another. Starring Bale, Adams, and Cooper, the film’s leading men, the story illustrate how these individuals get caught in their schemes.
3: Slumber in the dead of winter:
The running time of Nuri Bilge Ceylan’s most recent film is 196 minutes, making it highly unlikely that it will be matched with Interstellar. However, the movie does reward its audience with a masterfully constructed piece of character work. If you already have other things planned during the week, you shouldn’t bother seeing this movie alongside Nuri Bilge Ceylan’s most recent work as a double feature.
4: January’s Positive and Negative Elements:
There have been a few literary adaptations by Hossein Amini. Still, his first attempt at directing his material may be proudly placed beside his other adaptations, two masterpieces that couldn’t be more different from one another. No one is allowed to adapt Patricia Highsmith’s books, but ‘Hoss’ demonstrated his value by translating her 1964 mystery in a richly classical style that took spectators to the gilded age of Plein Soleil and Le Mépris.
5: It’s been two days and one night:
No vehicle chases, robot destruction, or near-extinction events are expected in a film directed by the Dardenne brothers, who are known for their edgy style. For those who have grown tired of computer-generated graphics, this was a welcome reminder that any year with a film produced in Belgium is a good year by default. When Sandra is forced to urge her coworkers to forfeit their bonuses for her to keep her job, there is a disaster, albeit not on the scale of extinction.
6: On the Brink of Stardom:
According to an old and tired cliche, every successful man has a beautiful woman lurking in the shadows. However, in the Oscar-winning documentary, the facts were correct. Merry Clayton, Judith Hill, and Darlene Love’s superb supporting vocalists have moved about 20 feet into their spotlight after formerly playing around 20 feet behind those musicians. Aside from the sassy Love, the stories of all the vocalists were interesting enough to warrant their films.
7: The Next Objective Is All or Nothing:
Eleven Samoans were killed. The slogan “no goals” summarized the American Samoan national team’s early difficulties in their World Cup qualifying campaign. When the new Dutch coach arrived, he formed the misfits into a group and inspired them by sharing some of his own experiences. And with that, we had fresh new Cool Runnings on our hands, just like that. The 31-0 thrashing by Australia was demoralizing, but the inspiring comeback got us out from under the covers.
8: Chef:
Despite Jon Favreau’s insistence that this was not his intention, the picture has the air of an indie director returning to his roots after years of toiling in the big-budget industry. It is a stripped-down steak sandwich in the form of a film. This narrative of a chef who wants to manage his life and career is warm and funny. Favreau is happy to be back in the starring role, but he surrounds himself with a solid supporting cast, especially John Leguizamo.
9: Fruitvale Station:
Ryan Coogler made a remarkable debut with this devastating drama based on an actual occurrence after gathering knowledge on the subject through a series of short films. With Oscar Grant’s role, played by Michael B. Jordan, filmmaker Joe Robert Cole doesn’t shy away from the more gritty aspects of his character, which was killed in a clash with police at the station named after him. The two will soon work together again on the Rocky spin-off Creed. When it comes to Fruitvale Station, the film sticks to the facts.
10: The Babadook:
Even if you could get rid of the Babadook, why would you want to? The Australian horror story by Jennifer Kent focused on a horrible children’s book that was masterfully produced. It appeared to introduce a powerful new monster that would torment future generations. It was a brilliant decision to start with cliches like an Amblin-appropriate resourceful youngster and then quickly abandon them in favor of something far more mysterious, despite this, to toy with the audience’s preconceived preconceptions.
11: Direct Progeny:
Abortion plays a significant role in Obvious Child by Gillian Robespierre, a director who has been called “one of the most promising newcomers to the world of filmmaking” by Time. Jenny Slate portrays Donna, a twenty-something bookstore clerk and commedia dell’arte performer, who is at the center of everything. When Donna found out she was pregnant, she was devastated. She now has to deal with the unforeseen pregnancy, her difficult job, and a type of boyfriend who farts in her face.
12: Vermeer, as seen through the eyes of Tim:
As a result of Tim’s Vermeer’s slow-building structure, it delivers a tremendous punch, not to the viewer’s emotions but their thoughts.” Anyone with even a sliver of intellectual interest should be astounded by Tim Jenison’s sheer determination. He learned Dutch before visiting Vermeer’s house, for example, and inspired a degree of the invention as he poured himself into his mission. An innovator is drawn to the works of Dutch master Johannes Vermeer in this documentary.
Conclusion:
As we approach the year’s halfway point, it’s time to look back at some of the best films released this year. The order could alter by December depending on how long these movies have been available and how many critics have watched them. The films below have most impressed us this year. This collection of action flicks, documentaries, and independent films includes “kid’s movies.” No matter your tastes best movies from 2014 should be a fantastic year for film.
FAQs:
Do the best movies from 2014 have top films?
Best movies from 2014: The best movies of 2014 surprised and delighted audiences, even though their specificity made them feel universal and emotionally fascinating simultaneously.
Best movies from 2014: In 2014, which film was the most successful at the box office?
Guardians of the Galaxy